Land Art Festival Grindelwald

All Summer

The Land Art Festival is an event steeped in tradition, which has already taken place from 1999 to 2018 in
Grindelwald has taken place. Since 2023, the event has been organised by Grindelwald Tourism.

Date 16.- 21. June 2025
Venue Above the glacier gorge
Entry Free of charge
Theme No theme is defined in advance
the works are created spontaneously, taking into account the natural conditions of this raw mountain world.
mountain world. The work is done with simple tools and only auxiliary materials are used,
which melt back into nature over time.

Photos: Marianne Scheitlin-Pfeiffer


Artists 2025

12 different teams of artists created very different works during Land Art Week. Find out more about their stories here.

Inge Lager and Brigitta Backhaus | DE
Inge Lager and Brigitta Backhaus

Brigitta Backhaus (*1960) lives in Gummersbach/Germany, studied Art/German Studies at the University of Siegen.

In my artistic work, I use all kinds of plant material such as twigs, “weed” stems, roots ... I create objects reminiscent of vessels, nests and cocoons, but also free forms and installations. Curious about the properties of the plant material, I explore how I can process it, how I can do it justice.

As a balance to my everyday life, I have been creating land art installations in nature since 2015 using whatever nature gives me. After completion, these works remain on site and become part of the natural cycle of nature.

 

Originally a landscape gardener, Inge Lager (*1974) discovered her passion for creative design in and with nature at an early age. It was during her subsequent work in forest education that she first came across land art. She now devotes herself mainly to artistic work with natural materials. She creates organic and sculptural forms inspired by nature.

To the website of Brigitta Bachhaus: www.brigittabackhaus-nurnatur.de
To the webseite of Inge Lager: www.intotheweave.de

Daniella Rubinovitz and Carla Rump | NL
Daniella Rubinovitz und Carla Rump

Carla Rump was born in Hilversum in the Netherlands. The Amsterdam-based artist works with wood, stone and bronze to create larger-than-life sculptures that connect everyday life with the natural world. Her sculptures are often intended for interaction with the public. Her imagery encompasses positive and negative space, connection to the environment, pathways and movement with figuration.

Nothing disappears, but everything transforms from one thing to another. There are cyclical processes that I experience all around me. This experience is reflected not only in my work, where I capture these transmissions, but also in the creation of my art. In my studio, there is a constant cycle of creation and destruction. There I am in my own jungle, so to speak. Making sculpture is magic. That is my language, imagining the world around us is something very special. The human being in all its characteristics appeals to me. There are so many parallel lives. We are all connected and reflect each other and the world around us.

 

Daniella Rubinovitz was born in Rotterdam, the Netherlands. She is an Amsterdam-based artist (Bachelor of Fine Arts | Tufts University, Boston USA| Expressive Arts Course, Atelier Molenpad, Amsterdam, NL) who works with steel, wood and bronze to create larger-than-life sculptures that connect the everyday with the natural world. Her sculptures are often intended for interaction with the public. Her imagery encompasses positive and negative space, connection to the environment, pathways and movement with figuration.

Deep feelings achieved through art therapy techniques (Bachelor of Arts Therapy | College Leiden, NL & Light and darkness training, Emerald Foundation | The Hague, NL) connect to a place of understanding. She uses humor and wit to make art accessible. Her work strives for public interaction through art.

 

To the website of Carla Rump:
www.carlarump.com

To the website of Daniella Rubinovitz:
www.daniellarubinovitz.com

 

Claudia Morgenthaler and Claudia Rohn | CH
Claudia Morgenthaler and Claudia Rohn

Claudia Morgenthaler (*1985) grew up in a small farming village and knew early on that she wanted to become a florist. After completing her apprenticeship, she obtained her federal certificate and master craftsman's diploma. She describes her style as nature-oriented and intuitive. In addition to her professional work as a florist and terrace designer, she runs her own flower field in Alchenstorf BE and uses these cut flowers to design creative works that are constantly changing due to seasonality.


Heidi Bernet and Erwin Bernhard | CH
Heidi Bernet und Erwin Bernhard

Heidi Bernet (*1986, CH) completed her training as a florist in Gstaad. Her love of nature brought her back to Grindelwald, where she successfully ran a flower store for 10 years. The art of a florist is to conjure up a work of art from nothing. Her love of flowers led her to land art. She currently has two children at the center of her life, but her passion for nature remains.
Erwin Bernhard (*1963, CH) is a nurseryman and has been transforming existing and new gardens into green oases as an independent garden designer with his small team for 30 years. Thanks to his passion for flora and fauna, his farm with woodland has become a gem and a refuge for birds and amphibians.

As a successful team, Heidi Bernet and Erwin Bernhard have taken part in various land art festivals in Switzerland and abroad, including in Grindelwald and Montreal.

Francesco Lucatelli | IT
Francesco Lucatelli

Francesco Lucatelli -aka Molby- was born in 1977 in Carpineto Romano, Italy. At the end of the 90s he attended a course in stone carving ornamentation, after having attended the Academy of Fine Arts in Rome for 2 years, where he deepened his anatomical studies and free drawing of the nude.
A valuable experience in which he begins to apply sacred proportions to sculptures and anatomical modules.
During 2018-2019-2023 he gained experience in southern Saharan Africa, where he practiced techniques of clay cooking and processing of materials found directly in nature. Between 2020-2024 he participates in various art competitions and makes land art installations, in Switzerland near Lugano 2021-2023. In 2021 he collaborates with the Sirente-Velino Regional Park Authority on a project in which he creates three sculptural installations for the municipality of Ovindoli. In 2023 he was selected for the artistic residency Ledro LandArt, he created the opera Wood Spirit, also in 2023 he created Rinascita in the pine forest park of Cavareno, Val di Non, Trentino.


Akunzo - Karola Pezarro and Aris de Bakker | NL
Karola Pezarro and Aris de Bakker

AKUNZO Akunzo's work consists of ephemeral, site-specific projects. Each project is strongly related to the site and the environment as a whole. The projects are a reflection on a place or the history of a place and often deal with concerns about the future of the planet. Akunzo works directly on site and often uses natural materials from the environment such as branches or earth. Sometimes unnatural elements related to the theme of the work are added. The combination of location and artwork is for Akunzo. They reinforce each other and together form the project. This connection between the place and what is done in this place is what it is all about. The viewer experiences the project as a whole, possibly creating a new perspective, a new meaning or awareness.

Mark Antony and Rebecca Ford | GB
Mark Antony and Rebecca Ford

Mark and Rebecca Ford weave drawings using found and grown natural materials in the field of environmental art installation. In 2004 they formed Two Circles Design, a collaborative practice producing monumental woven environments for the public and private sectors.

These surreal installations and ambiguous sculptures encompass a wide range of traditional skills and practices. The woven artworks relate directly to the environment as semi-permanent sculptures based on seeds and plant forms and the potential of all things. Both share a strong interest in archaeology, geography and the mysteries of the natural world, drawing on ancient traditions and techniques of willow craft and forest management.

Visit the website: www.twocircledesign.co.uk

Michael Engele and Waltraud Ohrwalder | AT
Michael Engele and Waltraud Ohrwalder

Retired art teacher, permaculture expert and clay oven builder Michael Engele (*1956) is taking part in this year's Land Art Festival Grindelwald together with Waltraud Ohrwalder (1948*). Together they will create self-supporting stone arches from loose stones lying around and found in the stream bed. Stone arches are temporary interventions, elude museum use, are very fragile and exposed to decay.

Onongua Enkhtur and Ulziibat Enkhtur | MNG
Onongua Enkhtur and Ulziibat Enkhtur

The artist Onongua Enkhtur (*1994) was born in Mongolia. Since 2019, she has focused on Land Art and textile art, utilizing techniques such as knitting, embroidery, weaving, and mixed-media drawings. Her nomadic lifestyle has a significant influence on her works. She engages deeply with Mongolian culture, which is closely connected to nature. In her latest works, Onongua aims to raise awareness of the ecological changes caused by human activities - particularly global warming and desertification.

Ulziibat Enkhtur is a Mongolian freelance performance artist living in Switzerland. Her artistic practice spans improvisation, contemporary dance, traditional Mongolian dance, singing, performance, visual arts, writing, storytelling with audience participation, and installations. She is a member of the Neg-Uudel Mongolian Performance Art Group, which was founded by Onongua Enkhtur. She initiated the "Essence Performance Art Project," which brings together Swiss and Mongolian artists who share a passion for traveling to remote locations, developing a concept on-site, and performing in the environment.

Susana Malagon et Enrique Carro | ESP
Susana Malagon and Enrique Carro

Susana Malagón (*1982) studied Fine Arts at the University of Barcelona and completed her training in Athens, Granada and Peru. She describes herself as a multidisciplinary artist. She uses different techniques to develop her works. The aim of her work is to awaken a question in the viewer, to evoke a sensation or to transport them to another place. She is supported by her husband Enrique Carro.

Susanne Ruoff and Lothar Zimmermann | DE
Susanne Ruoff and Lothar Zimmermann

SUSANNE RUOFF

1959 born in Cologne
1978-1982 bookseller
1981-1986 Studied painting at the Berlin University of the Arts
1986 Master student with Prof. Bachmann
1986-1987 Studied at the Hertfordshire College of Art and Design, St. Albans, GB
1989-1990 Working stay in Caracas, Venezuela
since 1989 Solo and group exhibitions
since 1995 Participation in international sculpture symposia in Denmark, Poland, Switzerland, France, Spain, Holland, Iceland, Estonia, South Korea, Taiwan, Japan, USA and Germany

since 2004 collaboration with LOTHAR ZIMMERMANN

To the website of Susanne Ruoff: www.susanne-ruoff.de

Installations 2024

«Pebbles» | Inge Lager and Brigitta Backhaus | DE

Inspired by the unique location, the Lütschine river in the background and the stones and boulders along the path, the idea of creating «stones» between stones from the spruce branches found on site grew during the creative process.
The only tool we used was a pair of rose scissors to cut the branches to size. The five «pebbles», which were created from the intertwined and intertwined branches, appeared delicate despite their sometimes remarkable size, which contrasts with the  chunks of stone between which they have found their place.

«You better talk before» | Helena Brunner and Merhawi | CH

Natural Collagen
The object represents two burnt cities of war together with two large figures and symbolises the importance of communication: „You better talk before“. With my art, I want to express how nature can continue to decompose in art.

«leicht und schwerelos» | Claudia Morgenthaler and Claudia Rohn | CH

Don‘t we all wish to glide through life lightly and weightlessly? Perhaps not constantly, but from time to time? Just as our woodland creatures «lightly and weightlessly» through the clearing. They invite us to linger, discover, and float along with them in ease.

"Tanz um Dein Leben" | Reinhard Böhme and Mary Hardy | DE

Elves and fairies love to dance at dusk in secret places within untouched nature. However, the places where they can do so freely and unseen are becoming increasingly rare. A new, young generation of these enchanting nature spirits is now shedding their shyness and daring to step into the public eye. Especially for «LandArt Grindelwald», they have choreographed a dance to raise awareness about nature conservation and the needs of all nature beings. Most still perform within the safety of a «nest» we have prepared as their stage. Yet, some adventurous ones are already venturing further out to reconnect with humans.

«Party im Wald» | Heidi Bernet and Erwin Bernhard | CH
«Der freie, sich selbsttragende Steinbogen» | Michael Engele and Waltraud Ohrwalder | AT

In a sensitive process of compaction, boulders are brought into a graceful form of self-supporting spanning. The delicate balancing of these stones requires a great sense of manual dexterity. As each stone constantly strives to fall towards the centre of  the earth, a balance of forces is created that ensures a certain stability and strength.

Two stone men become one stone woman. They meet and lean towards each other as they like each other. Touching each other, leaning on each other, supporting and strengthening each other in the common new. Bridge and empty space at the same time. The missing and the expected in balance. Abundance and enrichment are space through cohesion. Stone and stone.

Closeness and distance. Speech and silence. Moment and eternity. Yesterday and tomorrow. Fate and Destiny. Roots and wings. Body and soul. Silence and noise. Stone and stone.

«Conexiones neuronales» | Susana Malagón and Georgina Queralt | ESP

The rise of social networks and the widespread dissemination of information channels have made it increasingly difficult to create spaces for oneself. «Conexiones neuronales» invites the viewer to return to nature to activate thinking. In this way, a dialogue is generated between the viewer and the artwork, the artwork and the landscape, and finally between the landscape and the viewer, far from noise and close to silence.

«Root talk» | Yvonne Christen Vágner and Jan Vágner | CH

Moss roots growing from the forest floor.
The trees communicate with each other through mycorrhiza – the symbiosis of fungal network and tree roots that allows trees to exchange information. What information do they share with each other? Mossy branches found in the forest, buried in the ground for a root conversation.

2024 Moss branches, wool

«Horizont» | Andreas Spitteler and Alexia Chang-Wailing | FR

Horizon as the tangible, visible edge of our immediate environment. The landscape extends towards the horizon. Around the horizon, the environment pours out, flows around me, through me. The work ties in with last year‘s theme and carries it further. It is interested in recognising and experiencing our environment, the space in which we are integrated, the simultaneity before and beyond the horizon. The relationship to our environment in general is at the centre of my work; it is important to create a connection to this environment, this surroundings, this landscape, because we are in a constant exchange with it; flow and return flow.


Installations 2023

"WWW" We Were Whole | Martijn Smits | NL

Once upon a time, not so long ago, when the internet was just a word and smartphones and social media had not yet been invented, we communicated in a different way. And we managed to find each other, to be together, to be whole. The web created during the Land Art Festival is about this moment. Melancholy, melancholy...

"No War" | Carol Majewska | PL

This installation is a statement for pacifism made of locally collected stones. The symbol consists of a combination of the letters "N" + "W" (NO WAR). It is inspired by the peace symbol designed by Gerald Holtom in 1958, which represents the letters "N" and "D" in the flag as a symbol and is the official symbol of the Campaign for Nuclear Disarmament. With this work, the artist questions the role of symbols in our collective consciousness. Could new symbols help people to think differently about the world? The artist encourages us to think - about a world in which conflicts and nationalism are constantly on the rise.

"Horror Vacui, Drang nach Ausweitung" | Andreas Spitteler | FR

Vegetation in constant search of balance. Branches strive towards the light with the urge to fill the empty space, to the horizon and beyond. We humans also always want to go further, over the horizon; a transition into the other. With his work, Andreas Spitteler draws the audience's attention to their own position and the surroundings, the environment in which we find ourselves ("Horror vacui" Latin: fear of empty space). Hanging branch with fork, one part floating horizontally. Finer branches are embedded in the larger ones, filling the space. The whole thing rotates on its own axis.

"Playing instead of planning" | Reinhard Böhme and Mary Hardy | DE

In our success-orientated world, we are conditioned to plan and predetermine everything. But sometimes it is important to approach things playfully without a concrete plan. Or to abandon your original
idea and fully engage with the current situation and follow your intuition. In this sense, the installation is not the result of a pre-planned idea, but the result of a playful exploration of the given situation. A spontaneous reaction to what is there and what we perceive at that moment.

"Last Christmas" | Heidi Bernet and Erwin Bernhard | CH

Everyone deserves a second chance, even a Christmas tree.

"Bon voyage" | Daniel Züsli and Nadine Meier | CH

2.25 square metres of native soil.

"3 Sync" | Lejla Bajrami | CH

Adapted to the acoustic environment, the three stations of the artwork change in their density and intensity. Along the alder promenade, the flow of the Weisse Lütschine can be heard to varying degrees as nature filters the sounds. The originally planned aid, the string, became the main element of the artwork as it developed.
the main element of the artwork. The groups of trees create a spatiality, they are part of the artwork. The strings emphasise this spatiality, but also the connection between the trees that exists in nature via the roots. At the same time, they are reminiscent of strings.

"moss roots" | Yvonne Christen Vágner and Jan Vágner | CH

Root network around a tree. The trees communicate with each other through mycorrhizae - underground fungal and plant networks that cover the entire forest floor. This underground network of roots and mycorrhizae is visualised in this installation. Moss-covered branches lying on the forest floor and mossy logs from the surrounding area have become a network of moss roots.

"Ei(ger)horn" | Rosi Weiss and Jonas Biland | CH
Habitat Coniferous forest
Nutrition Fir cone
Age Unknown

Photos: Marianne Scheitlin-Pfeiffer